︎Sound artist · Composer · Music producer · DJ · Facilitator
︎Based in Europe

︎Works internationally across performance, sound art, research, and collective practice.

︎Collective healing ︎Symbolic language ︎ Re-enchantment
︎Opening spaces for listening, remembering, and shared transformation.

Sound artist, composer, music producer
Multidisciplinary artist & researcher

Working with sound, voice, ritual formats,
and participatory practices as tools for care,
collective imagination, and social inquiry.

Her practice spans sound works, performance, participatory listening sessions, and long-term research into resonance as a tool for healing, collective presence, and reimagining time.

Alongside her artistic work, she collaborates with institutions, festivals, museums, and collectives as a coach, manager, and co-producer, supporting artistic processes, residenci
es, and interdisciplinary teams.

Her work moves fluidly between concert formats, public spaces, ritual settings, studios, and institutional contexts, often focusing on deep listening, minimal sound gestures, and the relationship between human and non-human bodies.

Working toward practices of care that do not reproduce acceleration.

ARTISTIC PRACTICE & FIELDS
 
    ︎ Sound art & composition
    ︎ Music production & DJ practice
    ︎ Sound healing & 1:1 sound sessions
    ︎ Group listening sessions & sound rituals
    ︎ Performance & dance collaboration
    ︎ Research-based artistic practice
    ︎ Public space & community-based work
          ︎   Institutional collaboration (museums, galleries, festivals)

   
          

ONGOING & RECENT PROJECTS, COLLABORATIONS

   ︎INSTRUMENTS OF CARE ︎ 2024 ︎ Sound works and participatory formats exploring sound as a tool of care

1:1 sound healing sessions (body tuning through resonance and frequency)
Group sound and listening sessions
Community-building through shared listening
Creative workshops focused on slowness, resonance, and minimalism
Research framework: less as enough, slowing time as an artistic method

︎MUSEUM JESENNICKA  

︎WITCHES ON THE RUN

︎BURNING MATTERS: Rituals of Remembering and Reimagining

Participatory performance project developed in response to
The Jeseník Museum exhibition on witch trials.
Working with history as a living structure
and collective authorship as a form of repair.

︎embodied, dialogical, and sonic practices
︎cards, voice, myth-making, collective ritual
︎public space & church-based gatherings

︎RICHARD BLASKO

︎SOUND︎Premonition (2025)

︎SOUND︎31 (2024)

︎SEN – Dance Performance (2023) 
︎RELEASED EP

Music & sound composition

Venue: A4 – priestor súčasnej kultúry, Bratislava

Director & author: Lucia Holinová

Interdisciplinary performance exploring dreams, liminal states, and sound

Collaboration with dancers transforming into musicians using crystal bowls

︎Just Ask Her – Dance Performance & Film (2022)

︎Music composition
︎Sound for video

︎ANCESTRAL ARCHEOLOGY ALBUM (2020)

If we acknowledge the truism of folklore as the shared way of expression in rural society, the techno music on Ancestral Archeology proposes that, in the urban society of ours, this role is served by raves.

ONGOING RESEARCH & FOCUS

︎resonance vs. acceleration
︎slowness as structural practice
︎body-aligned collaboration
︎voice as collective technology
︎mythology as a living process
︎sound & body in the process of healing
︎care as artistic practice
︎human/non-human relations
︎reimagining time through listening


METHODS & FORMATS

︎participatory performance
︎card-based dialogue systems
︎embodied voice & resonance practices
︎collective myth-making
︎site-specific ritual formats
︎concerts / live sets
︎sound performances
︎participatory listening sessions
︎1:1 sound work
︎workshops & collective rituals
︎public space & site-specific work

COLLECTIVE WORK & COLLABORATION

Working with institutions, festivals, museums,
and art collectives as:

︎coach
︎artist
︎musician
︎sounddesigner
︎manager
︎co-producer

Supporting sustainable processes,
non-linear collaboration,
and body-aligned ways of working.

PARALLEL PRACTICE

Visual and ritual formats, including:

︎oracle decks
︎ritual games
︎zines
︎speculative tools
︎participatory installations

Focused on collective storytelling,
symbolic language, and re-enchantment.


CONTEXT

︎historical archives (witch trials, local histories)
︎herbal knowledge
︎feminist & queer perspectives
︎contemporary forms of exclusion

NINA PIXEL ︎DJ

RESEARCH & WRITING


︎slowness, resonance, body, rewriting histories, new folklore, sound, resonance and collective healing, connecting sound, ritual, and embodied experience

︎Article: WOR – Witches on the Run (2026)
︎Article: NINA PIXEL: MÜGGELSEE OBSERVATIONS


RESIDENCIES 

︎Resonance & Healing Residency ︎ JESENIK / VIENNA ︎ 2025-2026

Research residency exploring resonance between human and non-human bodies
Focus on churches, organ music, deep frequencies, and minimal playing
Emphasis on maximal bodily experience through heavy resonance

︎Inner Sound – Sound Works Residency ︎BERLIN ︎ 2024–2025

Studio-based residency focused on deep listening and meditative sound sessions
Group work exploring sound and body awareness

︎Witches On The Run ︎ JESENIK ︎ 2025

︎The Enclosed Garden ︎ ARMENIA ︎ Spring 2025 ︎ ORGANISATION

A nomadic, women-led, transdisciplinary festival combining ecological, artistic, and performative practices in non-institutional, nature-based settings which in 2025 will be held from 9 August to 1 September.