Recent
Berlin-based, Slovakia-born sound artist, composer, and multidisciplinary creative researcher with Lithuanian and Polish roots.
She investigates resonance, intuition, and collective imagination. Across performance, spatial sound works, participatory listening formats, and long-term research, her practice explores how sound shapes perception, time, and existing social fields.
Nina's projects examine voice as an epistemic medium and resonance as a structuring force that reorganizes attention, presence, and shared experience. She works across conceptual, participative, sonic, and installation domains, inviting audiences into states of deep listening, slowed perception, and collective attunement.
Her recent works meander through neurovibroacoustics, resonance, human and non-human body tuning, healing arts, witchcraft and magic, vocal streams, resting as a form of resistance, fountains, and deep listening practices — instruments of communal care built through participation, ritual, recontextualized source material, live instruments and sounding objects, and electronic processing.
Brutalist Poems w Silverpearl / Operator Radio Rotterdam
Cold outside ~ warm inside. It's the contrast between the grey skies & buildings, the ice-cold snow-covered nature, and the more-than-human warmth that exists within. 𓇢𓆸𓇢𓆸𓇢𓆸𓇢𓆸𓇢𓆸𓇢𓆸 brutalist poem is an exploration of the raw and layered soundscapes of Eastern Europe, shaped by social fragmentation, nostalgia, and the disillusionment of the post-socialist experience. Each episode captures the grit and beauty of the region’s transformation, spotlighting both local artists and those carrying Eastern European roots. Brutalist poem explores reclaiming and reimagination of identity, inviting listeners to reflect on resilience, creativity, and the shared spirit of a place that pulses with both memory and possibility.
www.operator-radio.com
Instruments of Care (2024–ongoing)
Instruments of Care is a publishing label and living library for artistic research, sound, print, and collective imagination.
We publish works that listen as much as they speak: field recordings, sonic diaries, experimental music, artists' books, poems, essays, prints, visual works, and other traces of creative practice. Each publication is an instrument—an invitation to notice, remember, gather, and care.
Together, these works form an evolving ecosystem of human and more-than-human practices of care. Rather than preserving culture as something fixed, Instruments of Care cultivates a living collection of voices, gestures, rituals, and relationships that can be shared, adapted, and carried forward by others.
Instruments of Care is an artistic research ecosystem that develops, publishes, and transmits practices of care through sound, print, participation, and collective cultural experiences.
Instruments of Care exists because the infrastructures that once cultivated care are disappearing faster than we are creating new ones.
Vibronautica
An immersive vibroacoustic experience — body-applied vibration, binaural frequencies, and guided integration, designed to be felt “with every cell.” Sessions move through a 10-minute intro, 40-minute immersion, and 10-minute integration, working on physical, mental, emotional, and energetic levels toward deep relaxation, emotional processing, clarity, and reset.
Witches on the Run:
Burning Matters (2025)
A participatory performance project developed in response to the Jeseník Museum's witch trials exhibition, activating collective voice, dialogue, and myth-making as embodied approaches to historical memory and communal grief processing. Presented at Jeseník, Hittisau, and Gothenburg.
FEZ “Brunnen” — The Listening Fountain (with Hélo Moondi & Emme Moises)
A site-specific sound performance transforming the metallic DDR-era fountain sculpture at FEZ Berlin into a resonant instrument and listening architecture. Using geophones, contact microphones, and live percussion, gong, and synth, the piece amplifies the fountain's hidden vibrations — shaped by weather, touch, and human presence — turning public sculpture into a collective listening body.
POFO.sk — Sound Map of Bratislava's Fountains
A new sound piece for Fontána Oddych (“Rest Fountain”), commissioned for POFO.sk's ongoing sound map of Bratislava's fountains. Ties into current research on rest as public infrastructure and resistance to permanent productivity. Field recording in Bratislava, piece delivered by November 2026.
Cosmos Talks
A podcast series hosted within Cosmos Studio, extending the practice of deep listening into conversation — exploring intuition, creative process, and how creativity moves through the body, with guest practitioners from Cosmos.
Coaching
Drawing on 10+ years of experience as an organisational and agile coach, Nina offers personal coaching grounded in personal ecology — applying principles from nature to human and organisational behavior, supporting individuals through sound and somatic coaching techniques.
1111VV_god (2024–2025, concluded)
A one-year live technoise collaboration with vocalist Eva Kadmon, conceived as a ritual container running exactly 11.11.2024 11:11 to 11.11.2025 11:11. The project explored rage, distortion, and transformation through high-intensity electronic performance, generating multiple live shows and gatherings before an intentional close once its transformational arc was complete.
2026 DE-SK-CZ-MX
- Instruments of Care
- Vibronautica
- Ateliér Of Listening
- Witches on the Run
- FEZ Brunnen
- POFO
- Hydrotherapy
- Mexico
- Cosmos Talks
- Tauhaus
- 1111VV_god
- Soundworks
- All
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